Storytelling: Framing

Storytelling is the essence of communication. The elements of storytelling are like letters of the alphabet. When you know how to use them, you can tell your best story.

Element 19: Framing

What a story is about, and the conclusion it reaches, depends on how you frame it.

Case study:

Hillary Clinton and Donald Trump

hill-trump

Who they are:

Respectively, the Democratic and Republican candidates in the 2016 American presidential election. Clinton won the popular vote by an unprecedented margin. Trump won the majority of Electors and is slated to become the next President of the United States.

Why it matters:

The bitter, split decision presidential election highlighted the fact that there is no single “story”. What we think a thing means and what we believe about people and events, is drawn from a rich mass (or mess) of facts, ideas, information and preconception.

After last week’s storytelling post a reader rebutted my assertion that Hillary Clinton is “a experienced, qualified, sane, humane politician”:

Surely this must be qualified as “by comparison?” Isn’t it a fact that Hillary Clinton:

1) Supported the Iraq War forcefully and was a key proponent as an opposition pol from NY

2) Supported overthrow of Libya forcefully

3) Supported overthrow of Syria forcefully

4) Was endorsed by entire Bush family and most of GWB cabinet officials

5) Received 100s of millions from wall street banks and multi-national corporations

So, if Hillary Clinton wasn’t positioned against Trump and you judged her by her policies she would be a rightwing neo-con Republican.

I think perhaps you should also consider the story telling of the Clinton campaign which would argue that perceived racism and sexism are more important than real policies that have killed hundreds of thousands of Muslims in Iraq, Afghanistan, and other countries.

 

This is a perfect example of framing. My narrative frames Hillary’s experience and views as a positive; my reader highlights different, but equally legitimate, information that casts her in a different light. Trump can, likewise, be any number of things depending on how you frame him. He is either a robust example of American iconoclasm or a racist shit. He went bankrupt and made billions; the story depends on what facts you put in the picture.

In other words:

“While reality itself does partly determine the meaning we assign to it, it doesn’t insist on any one specific meaning. So, while we all live in the same reality, we interpret it differently. Most of the time, the differences are negligible: at the day-to-day level, we agree sufficiently about most things. But some differences are radical. And that’s what politics is about.

Politics is a colossal magnification of the differences in how we perceive the world around us. And an election is a simplified, brief magnification of that. In an election, time stops, and a complex, gradually evolving jumble of differences of opinion is frozen in a single statistical figure.” Rob Wijnberg via The Correspondent

Practice: “All I have to do is to write down as much as I can see through a one-inch picture frame. This is all I have to bite off for the time being. All I am going to do right now, for example, is write that one paragraph that sets the story in my hometown, in the late fifties, when the trains were still running. I am going to paint a picture of it, in words, on my word processor.” Anne Lamott, Bird By Bird

Remember: “One person’s craziness is another person’s reality.” ~ Tim Burton

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