Ibiza Noir on Kindle

My novel Ibiza Noir is now available on Kindle.

Noir_Palm

Amazon.com: http://amzn.to/2CRdv1q or on Amazon.co.ukhttp://amzn.to/2FbRQP4

Sex, drugs, greed and loneliness draw three strangers into a perilous alliance beneath the pulsing strobe lights of an Ibiza nightclub. Lou, Sally and Calum are thrown together as their private sorrows and deep longings pull them into the chaotic hedonism of the world’s most famous party island. Their lives entwine in the white heat of summer as they chase increasingly elusive dreams. Lou craves a home and falls in love with Sally’s boss, Vivienne, the duplicitous coke-addicted owner of Moulin Noir nightclub. Sally will do anything for money and freedom, and watches in horror as Vivienne runs Noir to ruin. Disenchanted journalist Calum wades into the maelstrom in search of a career-making story, but finds himself falling for Sally’s brittle beauty. When a terrible event occurs they each have to decide what to rescue, what to leave, and who they want to be.

To be continued…

 

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Holiday Reading 2017

Having been bludgeoned with Christianity from infancy, I’m over the away-in-a-manger stuff. Books, though, are one aspect of childhood Christmas I revisit with joy.

Christmas was prime new book time. The rest of the year my siblings and I got what books our parents could afford, which is to say, we went to the library. December 25th was one of the rare occasions we could count on one or two new volumes for our personal collection.

This year, my holiday reading echoes the old pattern. One library book (digital now), one Kindle purchase, and one old-fashioned paperback from a charity shop in Crouch End.

handmaids taleThe Handmaid’s Tale came courtesy of the library. I don’t get Atwood aesthetically in the same way I don’t get, say, Thomas Wolfe or D.H. Lawrence. Her politics are admirable though. Astute women are writing and talking about The Handmaid’s Tale so it seemed like something I should have a first-hand opinion on.

Which (not that you asked) is that the novel puts Atwood perilously close to being the Ayn Rand of the left. Admirable politics, yes. But cardboard characters prodded around a stage so ripe with Symbolism that I wanted the whole damn wooden set-up to burn. I see now why it is being hailed as visionary: it’s dumb enough that even people who didn’t see Trump coming can grasp the Badness of the Bad Things that happen in it.

What’s disappointing is that Atwood can be a fine writer. (I realise, writing these words, that all hell would break loose if anyone read this blog. She has won a thousand awards and sold a million novels. Who the hell am I to criticise? Just a reader.) Her novel Cat’s Eye is rich and absorbing. The Handmaid’s Tale is pure bully pulpit blather, though. She (a woman of intelligence) didn’t trust her readers with anything subtler than a sermon.

dark is risingTo my delight, Susan Cooper didn’t make the same mistake in The Dark is Rising. Full confession, I’d never heard of it till reading a Guardian column that sang its praise. Normally, I avoid fantasy and children’s books in equal measure, but sometimes it’s good to bend the rules. The Dark is Rising reminds me of many of the books I loved as a kid: The Lord of the Rings, The Hounds of the Morrigan, King Arthur and the Knights of the Round Table, and The Chronicles of Narnia. It is pastoral, charming, and very very English. I blazed through it.

That treat consumed, I picked up Breakfast At Tiffany’s. This is maybe the third copy I’ve owned. It is one of those books I buy, give away, then buy again. I started with the final story in the slim Penguin Modern Classics paperback, “A Christmas Memory”. Capote’s evocative account of his boyhood Christmas made me weep, even though I know the ending. IMG_20171226_182805

Then I flipped back to the beginning and reread Breakfast at Tiffany’s, marveling at his use of language, description, and the curious fact that leggy, stuttering Mag Wildwood is given the full name Margaret Thatcher Fitzhue Wildwood. In 1958, when the book was published, Thatcher was an up-and-coming Tory politician. A Capote in-joke?

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Breakfast at Tiffany’s was the perfect starter for a Flannery O’Connor short story collection, A Good Man is Hard to Find. The eponymous opening story is deliciously agonising. O’Connor’s genius is that she doesn’t tell you anything. She just lines words up on the page and you hurry along, captivated by their perfect inscrutable order, until you crash face first into the gruesome conclusion.

O’Connor is the anti-Atwood. Nothing in her writing suggests she cared if her readers got it. She wrote. I know which I prefer.

What did you read over the holidays? Share in the comments. 

 

 

Storytelling: Framing

Storytelling is the essence of communication. The elements of storytelling are like letters of the alphabet. When you know how to use them, you can tell your best story.

Element 19: Framing

What a story is about, and the conclusion it reaches, depends on how you frame it.

Case study:

Hillary Clinton and Donald Trump

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Who they are:

Respectively, the Democratic and Republican candidates in the 2016 American presidential election. Clinton won the popular vote by an unprecedented margin. Trump won the majority of Electors and is slated to become the next President of the United States.

Why it matters:

The bitter, split decision presidential election highlighted the fact that there is no single “story”. What we think a thing means and what we believe about people and events, is drawn from a rich mass (or mess) of facts, ideas, information and preconception.

After last week’s storytelling post a reader rebutted my assertion that Hillary Clinton is “a experienced, qualified, sane, humane politician”:

Surely this must be qualified as “by comparison?” Isn’t it a fact that Hillary Clinton:

1) Supported the Iraq War forcefully and was a key proponent as an opposition pol from NY

2) Supported overthrow of Libya forcefully

3) Supported overthrow of Syria forcefully

4) Was endorsed by entire Bush family and most of GWB cabinet officials

5) Received 100s of millions from wall street banks and multi-national corporations

So, if Hillary Clinton wasn’t positioned against Trump and you judged her by her policies she would be a rightwing neo-con Republican.

I think perhaps you should also consider the story telling of the Clinton campaign which would argue that perceived racism and sexism are more important than real policies that have killed hundreds of thousands of Muslims in Iraq, Afghanistan, and other countries.

 

This is a perfect example of framing. My narrative frames Hillary’s experience and views as a positive; my reader highlights different, but equally legitimate, information that casts her in a different light. Trump can, likewise, be any number of things depending on how you frame him. He is either a robust example of American iconoclasm or a racist shit. He went bankrupt and made billions; the story depends on what facts you put in the picture.

In other words:

“While reality itself does partly determine the meaning we assign to it, it doesn’t insist on any one specific meaning. So, while we all live in the same reality, we interpret it differently. Most of the time, the differences are negligible: at the day-to-day level, we agree sufficiently about most things. But some differences are radical. And that’s what politics is about.

Politics is a colossal magnification of the differences in how we perceive the world around us. And an election is a simplified, brief magnification of that. In an election, time stops, and a complex, gradually evolving jumble of differences of opinion is frozen in a single statistical figure.” Rob Wijnberg via The Correspondent

Practice: “All I have to do is to write down as much as I can see through a one-inch picture frame. This is all I have to bite off for the time being. All I am going to do right now, for example, is write that one paragraph that sets the story in my hometown, in the late fifties, when the trains were still running. I am going to paint a picture of it, in words, on my word processor.” Anne Lamott, Bird By Bird

Remember: “One person’s craziness is another person’s reality.” ~ Tim Burton

Storytelling: Character

Storytelling is the essence of communication. The elements of storytelling are like letters of the alphabet. When you know how to use them, you can tell your best story.

Element 17: Character

Characters drive stories. Make yours unforgettable.

Case study: Yoga With Paul

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Paul Dobson

What it is:

An umbrella brand for the professional activities of London-based yoga teacher, masseuse and former professional dancer Paul Dobson.

Why it matters:

Yoga teachers are two pence a dozen in London and students typically cram sessions into hectic schedules. In this environment convenience, rather than affinity for a teacher, is often the deciding factor in choosing a yoga class.

Yoga With Paul was created to buck this trend by sharing founder Paul Dobson’s character. Instead of saying why he’s a great teacher it shares what he believes and cares about. Through a blog and social media, Yoga With Paul (#YWP) has built a network of like-minded yogis who share Paul’s interest in yoga, meditation, clean eating, mindfulness, fashion, urban life, and more. The proof is in the success: Paul now teaches several styles of yoga across London, and his annual Yoga Holiday With Paul summer retreats sell out well in advance.

In his own words:

“My life changed radically when I became a Bikram yoga teacher and it made me realise how easy to get locked into a “ladder” mind-set in our careers, relationships, or even hobbies. What I strive to share with my students is the awareness that you grow and become more yourself by challenging your preconceptions and being open to new experiences. It’s never too late for Bikram and never too late to change your life.”
Read more

Practice: “Your readers will live in a house made of their own mental pictures while reading your fiction. Those pictures are based on your words, of course, and you will curate that mental gallery quite closely. And yet the infinite details that your readers will conjure up around the mental pictures suggested by your words are all their own.” via Michael Alexander Chaney

Remember: “Desire is the crucible that forges character. ~Kristen Lamb

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Yoga With Paul

 

Elements of Storytelling 13: Accessibility

Storytelling is the essence of communication. The elements of storytelling are like letters of the alphabet. When you know how to use them, you can tell your best story.

Element 13: Accessibility

Stories are most effective when they are accessible. Don’t confuse your audience with florid language or complexity for its own sake.

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Case study: Vino y Co

What it is:

A wine shop in Ibiza run by father-daughter team Jeroen and Rosa Hamersma. The unpretentious oenophile sanctuary is as much an wine-education centre as it is a shop, thanks to its proprietors’ delight in sharing their knowledge. This makes it a magnet for chefs, sommeliers, locals and travelling wine buffs alike.

Why it matters:

Wine is often swathed in mystery, or at least pretension, and many shops actively perpetuate this elitism. Rosa and Jeroen take an opposite tack. The believe in making wine simple so everyone can enjoy and appreciate it. Jeroen taught himself about wine by buying almanacs in the ’80s in his native Amsterdam and drinking his way through vintages and varietals. He has a couple decades head start on Rosa, but she is catching up fast, laptop on the shop counter to answer any questions.

Rather than emphasise the arcane or technical, they focus on the communal, practical aspects of wine culture. Information about grapes, regions, winemakers and techniques are woven into stories, reinforced by generous samples of the wines in question.

Vino y Co grows its business year on year, and has fanatically loyal customers, all thanks to its dedication to making wine accessible.

In their own words:

Wine is all about taste. And about tasting. It’s not difficult.

Who said that wine shops should be boring? Wine is fun! So shopping for wine is fun!

Read more

Practice: “From time to time, all of us make the mistake of sending an email, turning in a paper, or handing a report to the boss without rereading what we’ve written. Raise your right hand and say this aloud: “I promise to reread my writing at least once before I consider it finished. If possible, I’ll read it aloud.” Now that you’ve made the pledge, your ears can help you simplify any unnecessary complexity in your writing.” Ann Edwards via Grammarly

Remember: “Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that’s creativity.” ~Charles Mingus

Elements of Storytelling 11: Imagery

Storytelling is the essence of communication. The elements of storytelling are like letters of the alphabet. When you know how to use them, you can tell your best story.

Element 11: Imagery

Deft use of imagery creates indelible images and provokes powerful emotions.

Case study: Maggie Smith Poet

What it is:

Maggie Smith’s poem ‘Let’s Not Begin’ is a meditation on life, death and courage. These are dangerous topics (Rilke, no less, advised against such broad themes) but Ms Smith nails it with an unforgettable simile: “My heart’s galloping hell / and gone from the paddock…. But let’s not end / with the heart as horse, / fear-lathered, spooked deaf.” The use of a figurative phrase transforms the cliche of a racing heart into a concrete image so vivid I can see the horse’s flared nostrils and flying sweat.

Why it matters:

For millennia poetry was entertainment, education and historical record. Spoken or sung, it had to make an instant, lasting impression on its audience. So poets got very good at painting word pictures. They learned to compare unlike things in a way that seized people’s imaginations and seared images into their brains. Now, we’re drowning in a sea of information. Metaphors are life-rings; similes shine like beacons. From poetry to advertising, the most imaginative, compelling, memorable use of imagery always win.

In her own words:well

Maggie Smith is the author of three books of poetry: Weep Up (Tupelo Press, forthcoming 2018); The Well Speaks of Its Own Poison (Tupelo Press, 2015), winner of the 2012 Dorset Prize and the 2016 Independent Publisher Book Awards Gold Medal in Poetry; and Lamp of the Body (Red Hen Press, 2005), winner of the 2003 Benjamin Saltman Award.

A 2011 recipient of a Creative Writing Fellowship from the National Endowment for the Arts, Smith has also received fellowships from the Ohio Arts Council, the Sustainable Arts Foundation, and elsewhere. She works as a freelance writer and editor, and is a Consulting Editor to the Kenyon Review. Read more

Practice: Complete these sentences with vivid images. To really get the most of the exercise, don’t worry about coming up with something good, just write. The whole idea is to get your subconscious to make connections in a new, more creative way.

  1. Blue paint spilled on the road like___________________________.
  2. Canceled checks in the abandoned subway car

    seemed___________________________.

  3. A spider under the rug is like___________________________.
  4. Graffiti on the abandoned building like___________________________.”

via The Balance

Remember: “A metaphor is a kind o’ lie to help people understand what’s true.”
~Terry Pratchett

Elements of Storytelling 9: Research

Storytelling is the essence of communication. The elements of storytelling are like letters of the alphabet. When you know how to use them, you can tell your best story.

Element 9: Research

Research is the foundation upon which compelling stories are built.

Case study: Abacela 

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Abacela Winery

What it is:

An award-winning winery located in Southern Oregon’s Umpqua Valley. It is best known for producing world-class Tempranillo, the grape that makes Spain’s famous Rioja wines.

Why it matters:

Abacela founder Earl Jones was a fan of Spanish wines and a medical research scientist. His wife Hilda was a medical technologist. They are by training and inclination people who study, analyse, test, and investigate. When Earl started wondering why he couldn’t find any good-quality American Tempranillo he didn’t shrug and leave it. He did research.

Earl’s quest to find the secret to great Tempranillo took him across countries and decades. He travelled through Spain and across the States, interviewing winemakers, studying soil and climate records. Reviewing the latter, Earl hypothesised that climate is the secret to growing top notch Tempranillo grapes.

As any good researcher would, Earl put his theory to the test. This meant identifying an American region with a similar climate to Rioja, moving there with his family, buying land, planting grapes, building a winery, and making wine. The initial results were good: Gold medal winning Tempranillo wines that outmatched Spain’s finest. More than 20 years on, Earl and Hilda are still researching, still growing, still writing new chapters of their story.

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Hilda and Earl Jones, founders

In their own words:

Abacela, in 2016, is a world-class, multi-award winning winery and viticulture success story. But 21 years ago when founders Earl and Hilda Jones planted its first vines they had no way of knowing what the outcome would be. They were scientists with zero winemaking experience who left secure careers and trekked 2700 miles west, kids in tow, to test a hypothesis.

Abacela was an experiment they hoped would answer a question that had puzzled them for years: Why doesn’t America produce any fine varietal Tempranillo wine?

Earl and Hilda probably weren’t the first enophiles to wonder why the great grape of Spain’s famous Rioja wines was mysteriously absent from American fine wine. However they were the first to approach the question with scientific rigor, form a hypothesis, then devote their lives to testing it.

This is the story of how one ordinary family’s curiosity and determination transformed their lives, built one of Oregon’s best-loved wineries and influenced winegrowing not only in Oregon and the Pacific Northwest but across America.

Read the Abacela story 
Practice: “Interview people, if you can, and if it’s relevant (no one who was alive in 1717 was available for me). But I have done interviews that have enlightened me on ballet, horse riding, frogs, injuries and country policing, for example. Prepare good questions beforehand, tape the interview, and take good notes.” via Sherryl Clark

Remember: “Research is formalized curiosity. It is poking and prying with a purpose.”
~Zora Neale Hurston