10 Great Novels for Teen Readers

Great books help develop strong readers. And strong readers are capable of learning just about anything.

One of the joys and challenges of my job as a literature teacher is to continuously find exciting, engaging stories that will resonate with teen readers. To that end I read A LOT and am always on the look out for recommendations (if you have any, please jump to the comments and share!)

In 2022, I read more than 120 books. These 10 stood out as great novels for teenagers.

A Tree Grows in Brooklyn

by Betty Smith

Somehow, I missed this classic coming of age story when I was a kid. Shame. A Tree Grows in Brooklyn is a startling, unsentimental portrait of growing up poor in Brooklyn in the first years of the 20th century (the book ends with rumors of war). It doesn’t gloss the ugliness of abject poverty, alcoholism, sexual violence and ethnic conflicts yet it neither preachy nor maudlin. The characters are given the dignity of being complex, alive and changeable. Unmissable.

Cool for the Summer

by Dahlia Adler

This contemporary novel about a teenager girl exploring her sexuality is the best of a whole bunch I read on said theme. Middle schoolers desperately need affirmative, healthy messages about sex and sexual identity. The protagonist of Cool for the Summer is awkward, confused, obnoxious and authentic. She drinks, she swears, she screws up. She starts to figure out how to figure it out. When she finally kisses her new girlfriend at the end, there is a satisfying sense of hard-won self-awareness and acceptance.

The Astonishing Color of After

by Emily X.R. Pan

Apparently, this novel about a girl coping with the aftermath of her mother’s suicide is ‘magical realism’, a genre I would cross the road in front of a speeding semitruck to avoid, in most instances. In this instance, the fantastic and surreal are an effective (perhaps essential) means for communicating the displacement of grief. The protagonist’s gradual immersion in her mother’s language (Mandarin) and birthplace (Taiwan) offers hope and challenge, and, for the reader, insight into the complexities of biracial identity.

Long Way Down

by Jason Reynolds

This novel-in-verse won all the awards, and rightly so. It follows the 15-year-old protagonist as he takes a long, slow elevator ride towards destiny. Will he use the gun tucked in the back of his trousers to avenge his brother’s violent death? Or will he break The Rules? The pacing is taut, the use of language superb, and the voices unforgettable.

A Single Shard

by Linda Sue Park

This was officially my first foray into historical fiction about 12th century Korea. Let it be yours. The amount of research packed into every page makes me quiver with admiration for its author. Middle school kids probably won’t notice or care about all the work behind the scenes, though, they’ll be too busy chewing through the crisp, lovely prose about a young orphan’s apprenticeship to a master potter and the tough choices he has to make.

Heaven

by Mieko Kawakami

I’m not sure if this is properly an adult novel with YA characters, or a YA novel. In any case, it’s fantastic for 8th graders, as it is a tough, unsparing exploration of issues that many kids face: bullying, divorce, parental absence, social awkwardness, sexual frustration and suicidal ideation. Don’t be misled though; it is anything but grim. There is life, and hope, which feels all the more authentic for being complicated.

All the Broken Pieces

by Ann E. Burg

Another novel-in-verse, told in the first person by a Vietnamese boy who was adopted by a couple in the United States after the war. The struggles with traumatic memories, guilt, racism and alienation are predictable. What is not is the heart-rending yet uplifting way he learns to cope, with a little help from his parents, a disabled baseball coach and a room full of veterans.

Frankly in Love

by David Yoon

This is just your typical hyper-ambitious YA novel that deals with racism, immigration, generational conflict, sex, friendship, LGBTQ+ identity and academic pressures. Just kidding. There is nothing typical about this fast, funny but also totally serious novel about a boy leading a double life: calculus-conquering son of Korean immigrants by day and kinda clueless, hopped-on-hormones American teenager who just wants to have fun.

Going Bovine

by Libba Bray

To paraphrase Hunter Thompson, when the going gets weird, the weird go bovine. I stumbled across this while looking for postmodernist teen fiction and boy, is it that. A fast-and-loose riff on Don Quixote, it is packed with drugs, sex, bad decisions, talking garden gnomes, fatal neurological conditions, magical jazz artists and… really, just read it. Preferably in one sitting. It’s louche, loud and OTT: perfect for older teens.

The Story that Cannot be Told

by J. Kasper Kramer

Inspired by Romanian history and folklore, this ode to the power of words follows a girl growing up in the insane reality of the late days of Ceaușescu’s dictatorship. Peril is always close to hand, often due to her innocent mistakes, but stories have a way of helping make sense of things. And of changing the endings of real-life situations. This is a perfect book for kids who like historical fiction, folktales and fantasy.

Recommend a great book for middle schoolers in the comments, or Tweet @CilaWarncke

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A short quarantine reading list

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Photo by Lilly Rum on Unsplash

Even before a ton of ordure hit the propeller-style cooling device I’d only read three books this year.

Three. 

Since the age of six or seven I’ve been capable of reading three average-length books a day. Once, when I was about 9, I read 1,000 pages in a day, to see if could.

On another occasion (again, pre-teen) I read The Lord of the Rings trilogy in three days.

The point I’m sidling towards is that it is a sign of spiritual/ emotional/ logistical malaise when my word-consumption dips to such low levels. (The other obvious conclusion is I was backward as a kid, which is fair, but there were reasons.)

Being almost too far gone in anxiety to even read a book is new and unnerving. Books have always been a reliable portal away from the unappetitliche present, but the present present has got me so tied in knots I’m afraid to miss anything.

Initially, I tried to negotiate this in my usual Protestant, eat-your-beet-greens-they’re-good-for-you fashion. That is, I started a book about Palestine. If there is one thing more depressing than coronavirus, it’s the situation of Palestine. Reading about children getting shot with tear-gas canisters and all the other interminable head-fucking brutality of the Israeli occupation was enough to make me think that maybe enough humans are ugly enough that we all deserve to be wiped out by a virus.

Not reading material for these times.

After that failed effort, I didn’t read anything for a few days. Then my friend Nick emailed and it turned out I bought his book (presciently titled It Gets Worse) last year and forgotten to read it. That’s like discovering the bottle at the back of the cupboard you thought was cheap emergency plonk is a fantastic vintage meant for a special occasion.

This is a special occasion.

So, I’m (finally) on my way to having read four books this year. When I finish Nick’s book I may go back and reread his first, Bitter Experience Has Taught Me, because it’s nice to hear a friend’s voice — especially when it is funny, acid, and laden with anecdote.

After that, I’ll try Jane Austen, James Baldwin, Oscar Wilde and Primo Levi.

Disparate, yet equally essential.

All of these writers, including Ms Austen (whose reputation for daintiness is undeserved) exhibit rare levels of integrity, perspicacity and moral clarity. They took the world as it was, but refused to accept the supposed constraints of that relationship.

And they, one and all, write sentences so good I have to pause and let the wave of admiration/envy/admiration pass. Right now, it’s reading for pleasure, or not at all.

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Photo by bruce mars on Unsplash

 

 

 

 

 

Ibiza Noir on Kindle

My novel Ibiza Noir is now available on Kindle.

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Amazon.com: http://amzn.to/2CRdv1q or on Amazon.co.ukhttp://amzn.to/2FbRQP4

Sex, drugs, greed and loneliness draw three strangers into a perilous alliance beneath the pulsing strobe lights of an Ibiza nightclub. Lou, Sally and Calum are thrown together as their private sorrows and deep longings pull them into the chaotic hedonism of the world’s most famous party island. Their lives entwine in the white heat of summer as they chase increasingly elusive dreams. Lou craves a home and falls in love with Sally’s boss, Vivienne, the duplicitous coke-addicted owner of Moulin Noir nightclub. Sally will do anything for money and freedom, and watches in horror as Vivienne runs Noir to ruin. Disenchanted journalist Calum wades into the maelstrom in search of a career-making story, but finds himself falling for Sally’s brittle beauty. When a terrible event occurs they each have to decide what to rescue, what to leave, and who they want to be.

To be continued…

 

Holiday Reading 2017

Having been bludgeoned with Christianity from infancy, I’m over the away-in-a-manger stuff. Books, though, are one aspect of childhood Christmas I revisit with joy.

Christmas was prime new book time. The rest of the year my siblings and I got what books our parents could afford, which is to say, we went to the library. December 25th was one of the rare occasions we could count on one or two new volumes for our personal collection.

This year, my holiday reading echoes the old pattern. One library book (digital now), one Kindle purchase, and one old-fashioned paperback from a charity shop in Crouch End.

handmaids taleThe Handmaid’s Tale came courtesy of the library. I don’t get Atwood aesthetically in the same way I don’t get, say, Thomas Wolfe or D.H. Lawrence. Her politics are admirable though. Astute women are writing and talking about The Handmaid’s Tale so it seemed like something I should have a first-hand opinion on.

Which (not that you asked) is that the novel puts Atwood perilously close to being the Ayn Rand of the left. Admirable politics, yes. But cardboard characters prodded around a stage so ripe with Symbolism that I wanted the whole damn wooden set-up to burn. I see now why it is being hailed as visionary: it’s dumb enough that even people who didn’t see Trump coming can grasp the Badness of the Bad Things that happen in it.

What’s disappointing is that Atwood can be a fine writer. (I realise, writing these words, that all hell would break loose if anyone read this blog. She has won a thousand awards and sold a million novels. Who the hell am I to criticise? Just a reader.) Her novel Cat’s Eye is rich and absorbing. The Handmaid’s Tale is pure bully pulpit blather, though. She (a woman of intelligence) didn’t trust her readers with anything subtler than a sermon.

dark is risingTo my delight, Susan Cooper didn’t make the same mistake in The Dark is Rising. Full confession, I’d never heard of it till reading a Guardian column that sang its praise. Normally, I avoid fantasy and children’s books in equal measure, but sometimes it’s good to bend the rules. The Dark is Rising reminds me of many of the books I loved as a kid: The Lord of the Rings, The Hounds of the Morrigan, King Arthur and the Knights of the Round Table, and The Chronicles of Narnia. It is pastoral, charming, and very very English. I blazed through it.

That treat consumed, I picked up Breakfast At Tiffany’s. This is maybe the third copy I’ve owned. It is one of those books I buy, give away, then buy again. I started with the final story in the slim Penguin Modern Classics paperback, “A Christmas Memory”. Capote’s evocative account of his boyhood Christmas made me weep, even though I know the ending. IMG_20171226_182805

Then I flipped back to the beginning and reread Breakfast at Tiffany’s, marveling at his use of language, description, and the curious fact that leggy, stuttering Mag Wildwood is given the full name Margaret Thatcher Fitzhue Wildwood. In 1958, when the book was published, Thatcher was an up-and-coming Tory politician. A Capote in-joke?

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Breakfast at Tiffany’s was the perfect starter for a Flannery O’Connor short story collection, A Good Man is Hard to Find. The eponymous opening story is deliciously agonising. O’Connor’s genius is that she doesn’t tell you anything. She just lines words up on the page and you hurry along, captivated by their perfect inscrutable order, until you crash face first into the gruesome conclusion.

O’Connor is the anti-Atwood. Nothing in her writing suggests she cared if her readers got it. She wrote. I know which I prefer.

What did you read over the holidays? Share in the comments. 

 

 

Agents – The Numbers Game

Yesterday I hit 75 on my agent hunt. Seventy-five lines on an excel sheet each with name, website, email, and a note of the date and pitch delivered. I may as well have made 75 copies of my novel, stood at the top of a cliff and chucked them ceremoniously into oblivion. This shouldn’t discourage me (most of the time I know my duty is to write well, and the rest be damned) but it does.

When another brusque rejection arrived I burst into tears. Voices babbled in my head: You are never going to publish a novel. If you do, nobody is going to read it. You are a fake, a flake, a lazy greedy over-educated under-producing parasitic loser who should have gotten a real job before it was too late. You are going to die broke and alone. You suck. Et cetera.

This could be true, if I let it. But after bawling for a few minutes, sense started to leach in. All the sages I respect (dead and living) make the same case:

“You have the right to work, but for the work’s sake only. You have no right to the fruits of work” ~Bhagavad Gita
“[Do] not long for anything if it be not given” ~Epictetus
“For us there is only the trying” ~TS Eliot

Some days, trying is a drag, the last thing I want to do. The alternative, though, is to let all the miserable, mean, self-pitying thoughts turn themselves into reality. As long as the spreadsheet is growing, there’s hope.

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